ongoing project: The Velveteen Band

I sup­pose I should men­tion that I play key­boards and melod­i­ca in The Vel­veteen Band.

This would be us: 

(most of our songs are not about Doc­tor Who.)

Our lead singer’s a pup­pet. Our oth­er lead singer is also a pup­pet. There’s a six foot rab­bit on gui­tar and trum­pet.  We took “2016 Artist of the Year” at the Ven­tu­ra Coun­ty Music Awards.

We’re cur­rent­ly work­ing on our sec­ond album. You can lis­ten to the first one here:

earlier experiments in generative music

These are the demos I made for an Able­ton device con­test before real­iz­ing we weren’t meant to pro­duce demos.

What you’ll hear here are snap­shots of a dynam­ic sys­tem. The real ver­sions come out dif­fer­ent­ly each time they’re played, much as the repeat­ing sec­tions here aren’t real­ly repeat­ing. These will be longer clips than usu­al, to demon­strate that variation.

The idea, of course, is not to cre­ate end­less loops like this, but to build a frame­work where the over­ly sim­ple source mate­r­i­al used here is replaced by live input from a real musician.

Again, they’re just exper­i­ments. Details are pro­vid­ed below each music player.

* * *

  • The var­i­ous pitched instru­ments are ran­dom­ly select­ing notes (with­in the same scale).
  • The drum part is one short loop, with many hits removed at ran­dom, and some of the remain­ing ones repeat­ed as ghost notes.
  • The low­er bell sounds are using the same tricks as the drums, with dif­fer­ent set­tings (and a sync’d delay to fill in gaps and give them some groove). They’re inspired by javanese gamelan
  • The brighter bell sounds ring longer and play less often, as a melod­ic ele­ment to tie things together

* * *

  • Rhythms are bro­ken up with sim­i­lar tricks as before
  • The bass part is actu­al­ly a stream of long steady notes, gat­ed against the drums to cre­ate the illu­sion that a live bass play­er and drum­mer have played a lot of shows together.
  • The scrib­bly notes (for lack of a bet­ter term) only plays with­in that same rhythm, but delayed by a beat.
  • The organ part fol­lows sim­i­lar rules to the bass, but sidechained against unheard elements

* * *

  • The pitch­es of a repeat­ing pat­tern are ran­dom­ized on the piano.
  • Drums and piano both drop notes at ran­dom, to vary the rhythm.
  • I might have over­done it on the fx
  • Heavy reverb fills the space where no drums are playing
  • The piano swaps between two audio chains when the drums are not play­ing. One ver­sion is rec­og­niz­able as the piano. The oth­er becomes the repeat­ing flute sounds you hear.

generative nonsense in C Major

Here’s a bunch of ran­dom notes. I estab­lished some rules for the vir­tu­al ensem­ble to fol­low, pressed play, and record­ed the results. Parts of it sound decent, but it isn’t very natural.


Here, I’ve mapped some effects con­trols, as well as the veloc­i­ty val­ues of each note, to a motion sen­sor. As I rotate it around, para­me­ters adjust accord­ing­ly. When I lunge at the screen, stab­by accents occur. It’s very satisfying.

Things sound more human, until they don’t.

And here, I forego the wacky repeat effects in favor of tem­po con­trol. Same basic con­trol par­a­digm, but the results should be more subtle.


EDIT: Just noticed my “thin out incom­ing notes” rou­tines weren’t work­ing on most of the instru­ments. Fixed now.


More to come, sure­ly. But I’m hap­py with the progress.

with apologies to the Rescues…

I took a per­fect­ly love­ly sentiment:
http://www.therescuesstore.com/VirtualChoir/

and trans­formed it into some­thing horrible:

It.. seemed like a much bet­ter idea at the time.

Also, this ver­sion was an accident:


…but it reminds me of some of the work I did on pur­pose back at CalArts.

the Change

I made this track as accom­pa­ni­ment for the bal­lad to end a friend’s stage show. It was, how­ev­er, decid­ed that her show should­n’t end on a bal­lad, so the song was scrapped.

Two years lat­er, this mix came about most­ly because, in export­ing the stems for a new col­lab­o­ra­tion, I real­ized that the drums were straight out of Garage­Band. One loop, no vari­a­tion. That won’t do. So, I glitched out the drums a bit, and they sound­ed pret­ty good now but did­n’t match the song at all any­more. Now they do.

Stems, you say? A new col­lab­o­ra­tion? That’d be here.