Take 4

This track is a bit unusu­al for me in that I’m actu­al­ly work­ing with record­ed audio instead of inter­pret­ed note information.

What the heck does that mean?

Well, nor­mal­ly there’s an added lay­er or two of abstrac­tion, let­ting me change wrong notes, adjust tim­ing, and gen­er­al­ly tweak every aspect of per­for­mance in post-pro­duc­tion. Here, I just had to play well.

I found the process cre­ative­ly lib­er­at­ing, but the end result feels a lit­tle raw to me.

Any­way, take a listen: